Artistic Director: Helena Jackson


Helena Jackson is a freelance producer and director. She is the winner of the University Women in the Arts Programme 2016, a Junior Associate at the King’s Head Theatre and  Artistic Director of Sleepless Theatre Company. Producing credits include Burnt Toast for :Place Productions at Assembly Rooms, Living Together at the Oxford Playhouse and Associate Producing Festival 47 at the King’s Head Theatre. Directing credits includeNoises Off at the Oxford Playhouse; Around the World in 80 Days at St John's Gardens (Oxford), Underground Venues (Buxton), C Venues (Winner of Best Producion at the Buxton Fringe 2015); Dead Equal for the Helios Collective in association with the English National Opera; The Master and Margarita  as part of ZOO Venues Edinburgh Fringe lineup 2016; a tour of Carmen in the PubNine Foot Nine and Masha and the Firebird currently in development with Theatre Delicatessen (all with Sleepless Theatre Company). Assistant work includes New York - Dubai - Rostov with the National Opera Studio (Wilton’s Music Hall), The Sound of Fear (RADA), Tosca(King’s Head Theatre) and The Magic Flute (King’s Head Theatre). She has also worked at the Park Theatre, the Lyric Hammersmith, the New Theatre Oxford and the Theatre Royal Glasgow

Creative Producer: Josephine Shipp

josie headshot.jpg

Josephine Shipp trained in dance at London Studios Centre and Millennium Performing Arts before taking a break from the industry due to an injury shortly after graduation in 2017. Performance credits whilst training include Dance Overture (New Wimbledon Theatre) and Wildlife (Bloomsbury Theatre). Directing and producing credits whilst training include The Cat in the Hat (MPA Studio Theatre), and working as Stage Management for numerous industry showcases. Since graduating she has been invited back as an employee to company manage all planned shows for 2018. She is the Creative Producer of Sleepless Theatre Company, producing Nine Foot Nine and ACE-supported Masha and the Firebird (in association with Theatre Delicatessen). She is currently assisting the producing team at the London International Mime Festival and also working as a technician on Fauna, Perhaps Perhaps Quizas (Jackson’s Lane), Lähtö (Platform Theatre) Sigma and Le Récital Des Postures (Lilian Baylis Theatre, Sadler’s Wells). She is a member of the Theatre Royal Stratford East Disability Workshop.

Associate ArtistS:

 Alexander Wood

alex headshot.jpg

After graduating from Oxford University back in 2015, Alex actually started his career in marketing for an AI and data-driven advertising company, while moonlighting as a theatre blogger for Theatre Bubble. During this time he also developed a knack for videography, and has worked on short films that have featured as part of the BFI London Film Festival and screened at independent cinemas. Video work with The North Face was also shortlisted for the World Media Awards. Eventually his passion for writing took over and he made the jump into working full time as the Editorial Assistant for WhatsOnStage. As a freelance theatre marketing manager Alex has overseen campaigns for theatre shows including the national tour of the world premiere of Philip Pullman's The Ruby in the Smoke and the award winning Around the World in 80 Days. He also had a poem published when he was 12, it was called The Rim of a Teacup. It was about teacups.

Madeleine Perham

maddy headshot (2).jpg

Madeleine is a freelance writer and adaptor, and the Dramaturg for Sleepless Theatre Company's upcoming adaptation of Margaret Bateson-Hill's Masha and the Firebird. After directing a Philip Pullman-endorsed production of His Dark Materials at the Keble O’Reilly Theatre in Oxford, she was given the opportunity to write and direct the first stage adaptation of his novel The Ruby in the Smoke. This toured Oxford, London, the Pleasance at the Edinburgh Fringe and consequently was invited to the 2017 Brighton Fringe Festival. She also adapted and directed the official stage adaptation of Lauren Child's Ruby Redfort, which debuted at the 2017 Edinburgh Festival and will begin a UK tour next year. She previously worked as a script reader for Maven Pictures and the Imaginarium Studios. She was a founding member of the Theatre Royal Haymarket Youth Company, and her writing for young people has also been performed at the New Wimbledon Studio.

Indyana Schneider


Indyana Schneider currently works as the Development Manager of the innovative touring opera company, OperaUpClose. Indyana is a trained opera singer, and currently studies privately with Nuccia Focile. She produced and performed in the original Sleepless production of Carmen in a Pub, which toured pubs in Oxford in 2016. She performed in New Chamber Opera’s Dido & Aeneas (New College Chapel, Oxford) and in A Mid Summer Night’s Dream (Sheldonian Theatre, Oxford). With New Chamber Opera, Indyana has also sung in masterclasses with world-class directors such as Katie Mitchell and Stephen Langridge. She composed music for, and performed as Feste in, Sir Jonathan Bates and Georgia Figgis’ promenade production of Twelfth Night in Worcester College Gardens, Oxford. She was the musical supervisor during the initial composition stages of STOP, a new musical by Leo Munby & Annabel Mutale Reed, which has since transferred to London stages. Indyana has also dabbled in musical theatre, both on the stage (Carlotta - Phantom of the Opera - Keble O’Reilly Theatre; Hope - Anything Goes - Oxford Playhouse) and as a Vocal Health Consultant with  Leo Munby. Whilst at university, she founded the ‘Hat Tricks – Improvised Musical theatre’ concert series, which raises money for Oxford Homeless Pathways. She is currently working with Sleepless Theatre Company as the librettist of their upcoming production of Carmen in a Pub.

Cindy-Jane Armbruster (48).jpg

Originally hailing from Switzerland, Cindy is a multilingual character actress with a passion for projects that combine strong text with creative movement and music/singing. After a previous career in academia and as a translator, Cindy trained at LAMDA and East15 (BA Contemporary Theatre). Now she’s working in the UK and internationally in all forms of acting on stage and screen, with a special focus on classical drama and new writing. 
In addition to working with Sleepless on Masha and the Firebird, recent credits include Persephone in Airswimming and Meroe in Penthesilea (both with Playades[link:, Titania/Hippolyta in Midsummer Night's Dream (Unfolds Theatre), Bawd/Lychorida/Thaliard in Pericles, Juno/Discord in Woman in the Moon (Dolphin’s Back), and Alice in Henry V (Carl Heap). Film includes Producer Lady in Hebt Mario Ab? 
Voice over includes Narrator in Carnival of the Animals.

As a member and Vice-Chair of the Equity Deaf and Disabled Members Committee, Cindy works towards improving industry conditions for Deaf and Disabled artists. Her website can be found at

Praise for Sleepless Theatre: 
ThreeWeeks - ‘One of those Fringe gems you’ll remember for years...Mind-blowing’ *****
British Theatre Guide - ‘captivating’ ****
Fringe Guru - ‘A must for those who like theatre at its most adventurous’ ****